More than 100 years after the death of designer William Morris, the Arts and Crafts Movement is enjoying a revival, becoming more popular than it was during the late 19th and early 20th centuries. Attracted by its attention to quality and design, admirers-from Hollywood stars to young people furnishing their first home-are appreciate the designs from Morris, De Morgan, Dresser, Tinworth, Marshall, Barlow, Pearson, Bell, and many more. This new book celebrates the very best designs in ceramics, furniture, metalwares, and the fine arts. With over 250 color photographs it is a treasure trove of visual information. Some of the world's most renowned experts have contributed their scholarship, including Stephen Calloway, Francis King, Andrew Barlow, John Catleugh, Max Donnelly, Mark Golding, Harry Lyons, Barbara Morris, and Peter Rose. Honesty of purpose, fine craftsmanship, and respect for good design are as valued now as when they first became the tenets of Arts & Crafts philosophy in late-Victorian England. This book is a source of inspiration and education for collectors around the world.

This series [pushes] the boundaries of knowledge and [develops] new trends in approach and understanding. ENGLISH HISTORICAL REVIEW The vitality and diversity of research into the late medieval period are exemplified by the contents of this volume. A central theme is the medieval Church: examinations of the process of ordination, the parishioners of Dartford in Kent and the influence of their learned vicar, how monastic chroniclers changed their focus as the century progressed, the perhaps unjustified reputation of Bishop Ayscough of Salisbury, and the significance of Edward IV's charter of ecclesiastical liberties. Another strand concentrates on Ireland, to explore both the complex relations between the Gaelic-speaking peoples of the west and the Stewart monarchy in Scotland, and the status and participation in government of the English settled near Dublin. Unusual perspectives on London are derived from a study of those engaged in identity theft there at the start of the century, and two heralds' accounts of the public processions andelaborate funeral rites accorded to a French ambassador at its end. Contributors: Des Atkinson, Brian Coleman, Zosia Edwards, Simon Egan, Charles Giry-Deloison, Daniel Gosling, Samuel Lane, David Lepine, Claire Macht

A Tribe Called Quest - Beastie Boys - De La Soul - Eric B. & Rakim - The Fugees - KRS-One - Pete Rock & CL Smooth - Public Enemy - The Roots - Run-DMC - Wu-Tang Clan - and twenty-five more hip-hop immortals
It's a sad fact: hip-hop album liners have always been reduced to a list of producer and sample credits, a publicity photo or two, and some hastily composed shout-outs. That's a damn shame, because few outside the game know about the true creative forces behind influential masterpieces like PE's It Takes a Nation of Millions. . ., De La's 3 Feet High and Rising, and Wu-Tang's Enter the Wu-Tang (36 Chambers). A longtime scribe for the hip-hop nation, Brian Coleman fills this void, and delivers a thrilling, knockout oral history of the albums that define this dynamic and iconoclastic art form.
The format: One chapter, one artist, one album, blow-by-blow and track-by-track, delivered straight from the original sources. Performers, producers, DJs, and b-boys-including Big Daddy Kane, Muggs and B-Real, Biz Markie, RZA, Ice-T, and Wyclef-step to the mic to talk about the influences, environment, equipment, samples, beats, beefs, and surprises that went into making each classic record. Studio craft and street smarts, sonic inspiration and skate ramps, triumph, tragedy, and take-out food-all played their part in creating these essential albums of the hip-hop canon.
Insightful, raucous, and addictive, "Check the Technique "transports you back to hip-hop's golden age with the greatest artists of the '80s and '90s. This is the book that belongs on the stacks next to your wax.
"Brian Coleman's writing is a lot like the albums he covers: direct, uproarious, and more than six-fifths genius."
-Jeff Chang, author of "Can't Stop Won't Stop "
"All producers and hip-hop fans must read this book. It really shows how these albums were made and touches the music fiend in everyone."
-DJ Evil Dee of Black Moon and Da Beatminerz
"A rarity in mainstream publishing: a truly essential rap history."
-Ronin Ro, author of "Have Gun Will Travel "

In both past and modern societies the concepts of memory and identity have been inextricably intertwined. Memory, through its power of recollection and reflection, is perceived as a central and necessary pathway for self-discovery, self-expression, and self-knowledge crucial to an understanding of the physical and spiritual world. Memory, in this way, becomes fundamental to identity itself, as it is through the complex process of both group and individual recollection and commemoration that cultural, political, national, religious, and gender identities are not only imagined but constructed, reconstructed, and represented. Taking as its focus this complex interplay of memory and identity in the medieval and early modern European context, this volume of essays presents its findings under five thematic headings: ""The Poetics of Memory and Heroic Identity", "Cultural Memory and National Identities", "Emotional Identities", "Nota Bene: The Craft of Memory and Corrective Instruction" and "Memorialising Protestant Identities in Early Modern England". Contributions examine constructions of memory and identity in such key works as the Old English Soliloquies; the Old Norse kings' sagas Morkinskinna and Heimskringla; medieval Serbian hagiographies; Havelok the Dane; Sir Gawain and the Green Knight; Chaucer's Book of the Duchess, Troilus and Criseyde and Adam Scriveyn; Elizabethan translations of the Psalms; John Stearne's Confirmation and Discovery of Witchcraft; seventeenth-century portraiture. The research presented here offers valuable insights into the centrality of memory to medieval and early modern constructions of political, religious, and national identities and points up future avenues for scholarly investigation.